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200% Wolf: seven quick questions with director Alexs Stadermann
Alexs Stadermann, the director of animated family films with an Australian accent, tells us why they matter.
Time Addicts: five questions for director Sam Odlum on his Melbourne film
'We kind of forgot that it has a lot of funny moments too,' says New Zealand director Sam Odlum about…
The Plains director David Easteal isn't interested in labels
David Easteal, director of Australian film The Plains, talks to ScreenHub about making his genre-defying, internationally acclaimed debut.
Why I studied … Bachelor of Arts Screen: Production
Emerging screen producer Faraz Anarwala talks about studying at AFTRS and specialising in Production Design, Sound and Cinematography.
Vonne Patiag interview: 'short films are the best thing that’s ever happened to me'
‘I call myself a “brat",' says the multi-award-winning writer, director, producer and actor, 'because I think brats are hilarious.'
NFSA Player launches with 17 Aboriginal and Torres Strait Islander titles
The Buwindja Collection shows how Aboriginal and Torres Strait Islander peoples’ voices have been represented, a snapshot from the 70s to…
Ten tips for creating a web series that cuts through the noise
Be bold, grab attention and ask for help. Good advice on making web series from writers and producers Amanda Reedy…
Equal the Contest: charting local women's footy and the call for gender equity
Director Mitch Nivalis started playing football with the Mount Alexander Falcons at 42, and documents a journey of inclusion, belonging…
Odorama: meet the olfactory artist bringing smell back to the 80s film Polyester
When Erin Adams got the chance to recreate scents for the 1981 John Waters' film she knew it wasn't an…
The Clearing on Disney+: Kate Mulvany and Hazem Shammas talk cults and lies
The gripping adaptation of JP Pomare's thriller, set in Victoria, also stars Miranda Otto and Guy Pearce.
