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The Paradise of Thorns review: deep in the weeds
The Paradise of Thorns follows a gay couple's battle for recognition in the face of unfair Thai marriage laws.
My Old Ass review: laughs and tears at the joy and pain of youth
Nostalgia and growing pains combine to great effect in Megan Park's My Old Ass, starring Aubrey Plaza and Maisy Stella.
The Substance, Demi Moore, review: hagsploitation gets a facelift
With her reimagining of a niche subgenre, Coralie Fargeat builds on a rich film tradition that reckons violently with the…
Beetlejuice Beetlejuice review: loosey-goosey, but still quite juicy
Michael Keaton and Winona Ryder enjoy themselves immensely in Beetlejuice Beetlejuice, the sequel to 1988's goth-quirk classic.
Kneecap film review: top showcase of the hip hop trio’s talents
Rich Peppiatt’s debut feature is a semi-fictionalised biopic of Belfast rappers Kneecap told in both Irish and English.
Rumours: Cate Blanchett and a really big brain
Guy Maddin's comedy satire pits hapless G7 leaders against masturbating bog people, and each other ... it's a heady brew.
I Saw The TV Glow review: it draws you in then tears you apart
I Saw The TV Glow explores the pain of hidden trans identity via an allegorical TV show obsession.
Left Write Hook review: survivor documentary stings like a bee
Donna Lyon and Shannon Owen's Australian film documents the physical and psychological healing journey of eight women who have experienced…
The Organist, film review: Australian indie leaves a bad aftertaste
Melbourne-made dark comedy The Organist has plenty of interesting ideas, but ultimately fumbles the execution.
The Blind Sea review: surfing waves without sight
Tackling the waters of Portugal's notorious Nazaré is daunting enough, but with next to no vision? Australian athlete Matt Formston…
