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![Michael Keaton in Beetlejuice Beetlejuice. Image: Warner Bros. Pictures/Universal Pictures](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/09/MV5BZGE3YzM4NWUtMDI0ZC00MmNmLTlmYWUtYWZiYzg5NDU4N2ZlXkEyXkFqcGdeQWFybm8@._V1_.jpg?w=310)
Beetlejuice Beetlejuice review: loosey-goosey, but still quite juicy
Michael Keaton and Winona Ryder enjoy themselves immensely in Beetlejuice Beetlejuice, the sequel to 1988's goth-quirk classic.
![Three shirtless men lie on a floor, their heads together. The floor is scattered with empty baggies, an empty bottle of Buckfast and more, suggesting the aftermath of a wild, drug-fuelled night.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/08/KC-15.jpg?w=310)
Kneecap film review: top showcase of the hip hop trio’s talents
Rich Peppiatt’s debut feature is a semi-fictionalised biopic of Belfast rappers Kneecap told in both Irish and English.
![Rumours. Image: Elevation Pictures.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/08/rumours-Screen-Shot-2024-08-19-at-4.03.10-pm.jpg?w=310)
Rumours: Cate Blanchett and a really big brain
Guy Maddin's comedy satire pits hapless G7 leaders against masturbating bog people, and each other ... it's a heady brew.
![Justice Smith as Owen in I Saw The TV Glow. Image: A24.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/08/isttvg3.jpg?w=310)
I Saw The TV Glow review: it draws you in then tears you apart
I Saw The TV Glow explores the pain of hidden trans identity via an allegorical TV show obsession.
![Left Write Hook. Image: MIFF.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/08/web_-_Left_Write_Hook_Premiere_Fund_copy.original.jpg?w=310)
Left Write Hook review: survivor documentary stings like a bee
Donna Lyon and Shannon Owen's Australian film documents the physical and psychological healing journey of eight women who have experienced…
![Jack Braddy as Graham Sloane in The Organist. Image: Weird Neighbour/MIFF](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/08/the-organist-028307_12276.jpg?w=310)
The Organist, film review: Australian indie leaves a bad aftertaste
Melbourne-made dark comedy The Organist has plenty of interesting ideas, but ultimately fumbles the execution.
![The Blind Sea. Image: Bonsai Films.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/08/blindsea5-1.jpg?w=310)
The Blind Sea review: surfing waves without sight
Tackling the waters of Portugal's notorious Nazaré is daunting enough, but with next to no vision? Australian athlete Matt Formston…
![Inside. Image: MIFF.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/07/inside-026233_10965.jpg?w=310)
Inside, MIFF film review: an Australian prison movie poised on perfection
Vincent Miller holds his own alongside Guy Pearce and Cosmo Jarvis in Charles Williams' incendiary feature debut.
![Memoir of a Snail](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/08/Screen-Shot-2024-08-09-at-1.58.01-pm.jpg?w=310)
Memoir of a Snail, MIFF review: triumph of the human thumb-print
Adam Elliot's ‘Memoir of a Snail’ is gorgeously human, wonky and life-affirming.
![Flathead. Image: MIFF.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/07/flathead-027862_10803.jpg?w=310)
Flathead, MIFF review: a striking portrait of working class life
Jaydon Martin's Flathead is an unvarnished portrait of life and struggle in coastal Queensland.