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Rise of the Guardians

While the animation in this new Dreamworks feature is crisp and colourful, and the voice-acting perfectly pitched, there’s a lingering feeling that something is missing.
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Releasing 25 films in 14 years, Dreamworks Animation have had mixed success in a field often dominated by Disney and Pixar, with a considerable chasm between their hits (the Shrek, Madagascar and Kung Fu Panda series) and misses (Bee Movie, Megamind and Over the Hedge among them). Their latest – the holiday-themed Rise of the Guardians – falls safely in the middle.

 

Based on William Joyce’s The Guardians of Childhood books and The Man in the Moon short film by the author that followed, the feature’s premise proves its highlight. Revealing the protectors of the title to be favoured childhood icons – Santa Claus (Alec Baldwin, To Rome with Love), the Easter Bunny (Hugh Jackman, Real Steel), the Tooth Fairy (Isla Fisher, Bachelorette) and the Sandman (who doesn’t speak, but instead conjures sand images above his head to communicate) – the film delves into the magic and mystery of these mythical figures’ true purpose.

 

Charged with ensuring an enduring sense of wonder among the world’s youngest citizens, the quartet finds their task threatened when their enemy, the Boogeyman (Jude Law, Hugo) re-emerges. Only a new addition to their line-up can help save the day: the freshly-appointed but reticent and reluctant spirit of winter, Jack Frost (Chris Pine, This Means War).

 

Marking the feature directorial debut of storyboard artist Peter Ramsey (Shark Tale), and boasting an adapted script by Pulitzer Prize-winning Rabbit Hole playwright David Lindsay-Abaire, Rise of the Guardians endeavours to capture the enchantment its underlying idea promises. Alas, the film’s fortunes in achieving the feat are modest, with the charm of the novel fantasy notion failing to translate from concept to content. While the animation is crisp and colourful, the voice-acting perfectly pitched, and the story’s core message filled with warmth, there’s a lingering feeling that something is missing.

 

The absent elements are many, from the slightness of the storybook characters to the uneven pace in the plotting department. Once the scene is set, the feature lacks urgency, relying upon the visuals to sustain momentum. Further, a family-centric formula sets in, with easy laughs, an overdose of holiday spirit and a complete lack of subtlety. Yet, although inconsistent and unlikely to enthral adults, Rise of the Guardians still offers a plethora of fairytale figures in a unique adventure; that alone is certain to entertain younger viewers.

 

Rating: 3 stars out of 5

 

Rise of the Guardians

Director: Peter Ramsey

USA, 2012, 97 min

 

In cinemas 13 December

Previews in selected cinemas this weekend

Distributor: Paramount

Rated PG


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0 out of 5 stars

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Sarah Ward
About the Author
Sarah Ward is a freelance film critic, arts and culture writer, and film festival organiser. She is the Australia-based critic for Screen International, a film reviewer and writer for ArtsHub, the weekend editor and a senior writer for Concrete Playground, a writer for the Goethe-Institut Australien’s Kino in Oz, and a contributor to SBS, SBS Movies and Flicks Australia. Her work has been published by the Australian Centre for the Moving Image, Junkee, FilmInk, Birth.Movies.Death, Lumina, Senses of Cinema, Broadsheet, Televised Revolution, Metro Magazine, Screen Education and the World Film Locations book series. She is also the editor of Trespass Magazine, a film and TV critic for ABC radio Brisbane, Gold Coast and Sunshine Coast, and has worked with the Brisbane International Film Festival, Queensland Film Festival, Sydney Underground Film Festival and Melbourne International Film Festival. Follow her on Twitter: @swardplay