Ari Mattes, University of Notre Dame Australia
Ever get the feeling that time is standing still, that your life’s on repeat, that everything’s just another rerun of a mediocre TV show?
Well, this might be because it is – at least when it comes to the American cinematic media ecology, with the majority of the most-hyped Hollywood films for 2023 being sequels and reboots.
One would be forgiven for giving up on our Hollywood dreams and turning to other regions – Europe, Australasia, South Korea – for film fare.
Even if there are a handful of substantially original films slated for 2023, it’s difficult not to be snarky when major studios continue to show such contempt for the intelligence of viewers.
So, what do we have to ‘look forward to’ in 2023?
Major franchise films
If you love superhero franchises, there are some notable releases in 2023. Two of them look watchable, including a new Ant-Man movie – this is one of the Marvel series that is bearable, largely due to their light touch and charming leads – this time co-starring Michelle Pfeiffer and Bill Murray, and the sequel to the excellent animation film of 2018, Into the Spiderverse, Spiderman: Across the Spiderverse.
There’s also a new Guardians of the Galaxy film – Vol. 3 – which fans of Guardians of the Galaxy series will probably rush out to see (these people must exist, given the scale of these films!), a new Shazam movie, which promises to be as enthralling as its antecedent, and a sequel to the inoffensive Captain Marvel, The Marvels – its name sounds like a parody of current cinema trends.
If that doesn’t scratch your superhero itch, there’s Aquaman and the Lost Kingdom, directed by the supremely stylish James Wan.
There are some other notable non-superhero sequels.
There’s a new Magic Mike movie, again directed by Steven Soderbergh, who seems perpetually to be coming out of retirement to direct more movies, this one co-starring Salma Hayek and set in London. There’s Fast X, the new Fast and the Furious movie, the tenth entry in a franchise that has historically produced some solid action films but whose last couple of entries have started to feel a little dusty. There’s the appropriately-named Legally Blonde 3, a continuation of the story of ditzy but brilliant law student then lawyer Elle Woods (Reese Witherspoon), a character with some charm in the first film but whose schtick had become tedious by the second outing.
Director Denis Villeneuve’s Dune: Part I was a technically accomplished sci-fi fantasy epic, but Part II, scheduled to be released in November, promises to be less engaging as the best characters (and actors) were killed off in Part I.
There’s Scream 6, the second Scream film since the death of horror maestro Wes Craven and the attempted series ‘reboot’ (is there a more annoying word?) with Scream (2022), the first not to star series anchor Neve Campbell as the harangued and courageous Sidney Prescott.
For some bizarre reason, there’s yet another Ghostbusters movie being released in 2023. Actually, it’s not bizarre at all, the sequel and reboot, especially of nostalgic 80s fare, have become virtual mints, printing money for studios with minimum creative effort.
There’s also a new Transformers film coming – Rise of the Beasts – this time without Michael Bay directing, there’s a new John Wick film, and, perhaps weirdest of all, Indiana Jones and the Dial of Destiny. This is the first one to not be directed by Spielberg and promises very little, though it may be mildly interesting to see Antonio Banderas and Mads Mikkelsen in an Indiana Jones film.
More minor – but, probably, no less profitable – sequels include a new Creed movie, Creed III, directed by actor Michael B. Jordan, Evil Dead Rise, a new entry in the Evil Dead series, Mission Impossible: Dead Reckoning, Part One (as though it isn’t annoying enough to have to see countless sequels, now we have to see sequels in multiple parts, thanks Harry Potter), The Nun 2 – the cleverly-named sequel to the banal and unfrightening schlocker The Nun, Insidious: Fear of the Dark, directed by series actor Patrick Wilson, Murder Mystery 2, the sequel to the disappointing Netflix film of 2019 starring Jennifer Aniston and Adam Sandler, a Hunger Games prequel, The Ballad of Songbirds & Snakes – why settle for four movies when you can make five? – Book Club 2: The Next Chapter, The Equalizer 3, The Expendables 4, and Saw X!
Perhaps the sole sequel I am eagerly anticipating is Meg 2: The Trench. The Meg was one of the most delightful shark romps in years, and the sequel once again stars diver-turned-action man Jason Statham and is directed by Ben Wheatley, who has made some of the most unnerving films of the last decade (Kill List, A Field in England, In the Earth). Wheatley has a cinephile’s sense of genre and spectacle, so Meg 2 at least promises to be pleasurable.
Other major releases
People will be queuing up, I’m sure, to see contemporary auteur Christopher Nolan’s treatment of the biography of atomic bomb scientist J. Robert Oppenheimer, Oppenheimer. Nolan is one of the most pretentious directors around, and his films are deeply conservative, but Oppenheimer is a striking enough character that it would be hard to sap the energy out of his story.
Similarly, Martin Scorsese is doing another biopic, this time of Theodore Roosevelt, with perennial Scorsese collaborator Leonardo DiCaprio in the lead role.
There’s a new Guy Ritchie spy caper – Operation Fortune: Ruse de Guerre, starring Ritchie stalwart Jason Statham, along with Aubrey Plaza and Hugh Grant, who has really reinvented himself in recent years, embracing the kind of dissolute sociopathic prat that always lurked under the façade of his good guy roles in films like Notting Hill.
One of the few releases that genuinely generates interest is the Barbie feature film, starring Margot Robbie and Ryan Gosling. Films based on toys are notoriously terrible, and there’s no reason to think this won’t be, but it will be fascinating to see how flavour of the month director Greta Gerwig (responsible for one of the more inept films of recent years, Little Women) makes a film out of the Barbie toy and legend.
Notable more minor releases
Even if major Hollywood productions seem to be tied up now, much of the time, to multimedia money-generating franchises (are many people over the age of five really excited to see Paw Patrol: The Mighty Movie or Neil Blomkamp’s film Gran Turismo, based on the video game, both coming out in 2023?), there are some smaller films coming out of the US in 2023 that look promising.
Blumhouse are a hit and miss company – they’ve released some solid horror films over the last couple of decades, but also more than their share of didactic and irritating tripe – but M3GAN, a Child’s Play-type film about an AI doll that becomes self-aware and overprotective of its owner looks good.
Similarly, the bluntly-titled Plane promises to be an engaging genre film. Starring Gerard Butler and directed by genre filmmaker Jean-François Richet (Blood Father), it follows a pilot trying to escape after an emergency landing in a hostile region in the Philippines.
Indie-philes will probably be interested in the new coming of age film When You Finish Saving the World, the directorial debut of actor Jesse Eisenberg, released by A24, and also in A Good Person, written and directed by actor Zach Braff and starring Florence Pugh and Morgan Freeman.
There’s Shotgun Wedding, made by Amazon, a throwback to the high-romcom era starring J Lo and Josh Duhamel, and Cheech Marin (!) – watching it should at least be a weird experience, like stepping into a time-machine and winding up in the late 90s.
80 for Brady also promises to be a curio, given it’s produced by Tom Brady, stars Tom Brady as Tom Brady, and is about a group of seniors who take a road trip to Houston to watch their hero Tom Brady. Brady, of course, no longer plays gridiron in the NFL – so why not continue his career playing it in the movies? The cast of this one is good, and it’s nice to see Sally Field in a big film again, along with Lily Tomlin, Jane Fonda and Rita Moreno. Even if their output has been at best mixed over the last decades, it should be rewarding to see a gang of pre-MTV pros acting on the big screen.
What else might be worth watching?
The weirdest (or is it most inspired?) title award for 2023 goes to the slasher film, Winnie-the-Pooh: Blood and Honey – ‘slasher film’ and ‘Winnie-the-Pooh’ not usually going together. Cocaine Bear, a bizarre true story directed by comic actor Elizabeth Banks about a bear that went berserk after ingesting a large amount of cocaine is close behind.
Chevalier, a biopic of ‘Black Mozart’ Chevalier de Saint-Georges, the horror comedy Renfield, Next Goal Wins, directed by Taika Waititi about the Samoan soccer team trying to qualify for the 2014 FIFA world cup, Challengers, a sports romcom directed by Luca Guadagnino, The Blackening, a woke horror parody with a ho-hum premise, and Harold and the Purple Crayon, the long-awaited film version of the popular children’s book may also be worth checking out in 2023.
But, all in all, there is not much promise on the horizon as far as American cinema goes, for the next year at least. Luckily films from the sound era go back nearly a hundred years, and many of the best have been released on physical media and streaming services, so it will be easy to watch these instead.
Ari Mattes, Lecturer in Communications and Media, University of Notre Dame Australia
This article is republished from The Conversation under a Creative Commons license. Read the original article.
