Where did all the movies go? The battle for screens in your local multiplex

Arthouse lovers are racing to see films before they disappear. Australian films don't get wide release. Can we tip the balance away from mainstream tentpole dominance?
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This too must pass. Image: the Coliseum according to Kevin Poh.  

Only a few years ago, filmmakers thought the new digital multiplexes would bring a golden age for small films with minority audiences. Surely they would have a space in all those new screens.

In fact, the American tentpole movies were simply scheduled to start at regular intervals, and flowed to colonise almost every screen. They have become a vast harvesting machine, roaming the planet and gobbling the entertainment dollars of entire populations. 

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.