Sydney Film Festival 2014: a narrative arc from Cave to mirthful carnage

Festival director Nashen Moodley pitches new ways of telling stories to the hard nuts of the screen sector.
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Still from opening night film with Nick Cave and Kylie Minogue being normal in a bleak, dark place on the endless highway of life.

The launch of the Sydney Film Festival program is a symbolic moment for the national arthouse calendar, since it signals the first of the major 2014 cinematic obsessa-slams for 2014.

We already have answers to the two great questions: who opens, and who closes the festival.  Would Sydney go with The Rover from David Michôd and Liz Watts lead in? That would be a popular home town choice which always adds a certain buzz. What about Fell, a local first feature from a director of great promise, as a lower budget bendy alternative?

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David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.