Screen Australia: where to, after the exhibition crisis?

Film producers know the exhibition landscape is getting steadily worse. Screen Australia collates the figures to show why.
[This is archived content and may not display in the originally intended format.]

History is hurtling towards us all.. 

Screen Australia’s latest research and position paper on issues in feature film distribution is an honest admission of the crisis, a guide to the landscape, and a sobering admission that the traditional marketplace is broken.

In a phone conversation triggered by the release of the paper, CEO Graeme Mason said, ‘You can’t make the film you wanted to make in 1996. It’s worldwide. If you look at the box office for arthouse speciality films, you used to do $4-10m with a good one, now it’s a success if it’s done a million.

Unlock Padlock Icon

Unlock this content?

Access this content and more

David Tiley was the Editor of Screenhub from 2005 until he became Content Lead for Film in 2021 with a special interest in policy. He is a writer in screen media with a long career in educational programs, documentary, and government funding, with a side order in script editing. He values curiosity, humour and objectivity in support of Australian visions and the art of storytelling.