Beyond the front of mind tasks of contracts, protocols and making payroll, screen creators are sensing that every change in broadcasting or theatrical has been supercharged, to use Screen Australia CEO Graeme Mason’s term.
I stick firmly to the idea that art is an idealistic compulsion, and I’m looking for the good which can come out of our current experience. At the moment we are running from a bulldozer, but what are we running to? How does Mason answer that question?
