Neil Goss is releasing his film Juvenile Delinquents into the Australian marketplace on the weekend of 30 July. He is starting with twelve mostly regional cinemas, has another five booked next weekend, and expects some action with a major exhibition chain.
The project exemplifies the strange mutating world of low budget genre, mostly built around horror, fuelled by a procession of confident mavericks, some of whom build long, wandering careers. They mine specialised tastes and niche markets, protected by their ability to think small and persistent.
