Writing and Publishing
Which country produces the most popular foreign shows in the world?
Here are some cliche-cracking numbers to ponder. Australians are not really doing that well in foreign affections but the Canadians…
Industry grabs new weapon in regulation fight
Armed with the conclusions of a major government report, the screen sector gathers in Parliament House to impress the key…
Chinese government beats industry into shape, seems to win
While the world screen industry wrestles with change, the Chinese sector is dancing with an octopus. And everyone is learning…
Animals director Sophie Hyde on character, rehearsal and bestie power
What happened when Sophie Hyde and Closer Productions ended up shooting a co-pro in Dublin? And why did the writer…
On the Move: A reshuffle for Create NSW, new Board for Perth Festival
New Board members for Perth Festival and MCA, a shake up at Create NSW, AIDC appoints new advisory committee and…
Small Screen Highlights: Glitch, Gogglebox and Glassblowing
Paranormal ABC thrills, voyeuristic couch-critics, hot craft competition and a very useful podcast from Screen Australia.
Create NSW recreates itself, again
After a lot of grief to assemble its present structure, Create NSW takes a backward step to recreate Screen NSW.
Elephant stomps on traditional development practice
How will theatre company Back to Back adjust its joyful collective work to the sad disciplines of cinema development? They…
Screenhub kicks off the Hub Club with a discount offer on Screen Forever
We are much more than a bunch of stories as members are about to find out with our new Hub…
Leading for change – who’s leading disability arts?
From being disability-led from the top down to making everyone share responsibility to be leaders for change, those doing it…