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Cannes 2013: in the jostling, Julie glides with customary aplomb

What does a Cannes veteran actually think about as she makes her way through the melee of Cannes 2013? Money,…

Features

Last Dance: beats Gatsby in one crucial way

Will The Great Gatsby leave Cannes with a prize? No, unless there is some wrinkle we have not heard of.…

Features

Gatsby: box office after international release

Climbing, climbing.. the figures for Gatsby defy the printed insults.

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AIM to host inaugural TILT forum

Entertainment industry heavy-weights will tackle issues concerned with technological advancements in Sydney this year.

Features

Cannes 2013: Gatsby dancing in the rain

The Great Gatsby opened the Cannes Festival, as Luhrmann controlled the narrative with his usual calculated aplomb through the press…

Features

SPAA: mindsnatchers invade St Kilda Fest and Vivid

Knowing that emerging producers cluster around Vivid in Sydney and the St Kilda fest in Melbourne greedy for inspiration, SPAA…

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DRM-free e-books show no piracy increase

A year after removing digital rights management from its books sci-fi publisher Tor made a surprising announcement.

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American Psycho author takes axe to Glaad

Enfant terrible novelist Bret Easton Ellis calls out 'the gatekeepers of politically correct gayness'.

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Seven Horrors in a Blue Box

The stalwarts of the European gothic tradition are returned home and given a revivifying jolt of cinematographic juice.

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Killer frogs and the ultimate fang

How does top Hollywood creature design make the Life of Pi tiger real and the Avatar banshees so terrifyingly beautiful?

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