Television
Katrina Fleming: on creating a Canopy
Canopy, a self-funded and crowd-funded co-production feature, broke through at the Toronto Film Festival and has received excellent reviews. It’s…
Chris Oliver: the Feature Enterprise recipients 2014
The Feature Enterprise program has been run for a second time, with the lucky recipients were Kristine Ceyton (The Babadook),…
Stephan Elliott: takes Priscilla to Brisbane Queer Film Festival
Adventures of Priscilla: Queen of the Desert director, Stephan Elliott, has been confirmed to attend the film’s 20th Anniversary Screening…
Brief: San Andreas crewing up in Queensland
San Andreas is currently in pre-production in Queensland, and it's actively hiring crew. The film is described as an action-adventure,…
Mark Morrissey: some reflections on the craft of managing actors
Having restructured his business, Mark Morrissey is out in public, so we asked him to reflect on the broader implications…
Möbius
Within the narrative, no one can be trusted; within the surrounding film, all hopes rest on the charisma of the…
David Parker: the methodology of the Menkoff Method
David Parker has extensive experience as a cinematographer and producer, with credits including Kath and Kimderella, Matching Jack, The Big…
The Awards Season: finally over and worth some contemplation
The Film Critics Circle of Australia really brings the 2013 awards cycle to a close, which gives Tina Kaufman a…
Need for Speed
With the cars the real stars, the cast attempts to hold their own, albeit through limited opportunities.
The Day of the Broken
Underscoring its narrative bleakness, the feature lingers in alleys, streets, bars and cars - sans catharsis or resolution.