Television
Rigor Moris
The dominant tropes of the genre are on display in this film; zombies, vampires and a deft balancing of comedy,…
Australians in Film: Gateway LA script development program
The program will support the development of commercially successful, Australian created television and movie screenplays.
Madman: gets the keys to its own asylum
Madman Entertainment has now consummated the deal to buy itself back, and is bullish about its own future.
Predestination
A film beholden to details best whispered than shouted, but relishing them too much in their meaning than their function.
Screen Australia: more talks to deal with documentary impasse
Having realised it is standing in a minefield it laid itself, Screen Australia is holding its breath for another round…
Brief: Enterprise round due 5th September at Screen Oz
Short and sweet - 5th of September, expressions of interest, Enterprise Growth and Enteprise stories...
Adrian Wootton: CEO of Film London and former director of BFI
Wootton discusses creative bravery, film bureaucracy and tax credits, as well as mavericks, spies and tough guys.
MIFF 2014: first night is a date with Predestiny
MIFF 2013 began with a European flurry of umbrellas and ended with an audience divided by Predestination. The fun has…
Is critical dialogue a dying art?
Recent debate on The Conversation serves an opposition between print and online media, but online reviewing deserves a fair go.
The Infinite Man
The very definition of a three-hander, it follows that The Infinite Man highlights a cast tasked with plenty and delivering…