Television
Female-only film festivals should not exist
Ideally we would have no need for festivals that promote women in film, as we would already give them the…
Non-stop collaborations and commissions: Carriageworks is back with a brand new program for 2015
Impressive in scope, scale and ambition, Carriageworks in the heart of Sydney’s Redfern continues the consolidation and growth of its…
The Drop
What this crime thriller lacks in density and surprise, it boasts in mood and performances.
Intro To TV (Melb), Lighting Fundamentals, Corporate Presentation, Cinema 4D & More @ AFTRS Open
November highlights: INTRO TO TV (this Sunday in Melbourne), WRITING FOR TV (online). In Sydney: LIGHTING FUNDAMENTALS, INTRO TO TV…
Let’s Be Cops
Plenty of films and TV shows have proven that bumbling cops are funny; Let's Be Cops proves the pretence isn't.
‘71
Plunging into a heated war where everything is ablaze, '71 captures the blistering primal intensity of The Troubles.
Blinky Bill: own a cell, help an institution
25 cells from the original Blinky Bill: the Mischievous Koala are to be auctioned to raise money for ACMI's Xmas…
AIDC: nimble enough for a revolution
The Australian International Documentary Conference reveals a new approach, insists it is honouring the past, and skis into the blizzard…
Interstellar
Aiming for spectacle, awe and wonder, does the reach of Christopher Nolan’s space adventure exceed its grasp?
My Mistress
Despite a tone that aims for sensitivity and seriousness, My Mistress is unable to overcome the awkwardness of its concept.