Television
AIDC 2016: Roger Jackson, Kinonation and the global opportunity of VOD
Indie-friendly VOD is alive, kicking and even easy, if you don't get cynical on the way.
AIDC 2016: now but a memory
The message from AIDC 2016 is clear - excellence is tough to do and requires a huge amount of knowledge…
Mon Roi
A realistic and raw central portrayal provides texture and intimacy to an otherwise maudlin rather than moving marital drama.
Dheepan
Like A Prophet and Rust and Bone before it, Jacques Audiard's latest focuses on the fragile space between deeds and…
Legal Essentials, Storytelling Factual TV, Production Office 101, Director’s Journey & More!
Last chance for AFTRS Open’s: LEGAL ESSENTIALS: FILM & TV this weekend, SCREENWRITING FOR FILM (10 weeks online), next week’s…
AIDC 2016 - Social Impact Film in an Age of Austerity
Jennifer MacArthur's keynote headlined the Impact Day, which explored the notion of impact producer in detail.
AIDC 2016 - growing cinema audiences for documentary features
Cinema on demand is proving itself as the genie in the lamp for big screen documentary release, one leaping frog…
What do Mad Max's six Oscars mean for the Australian film industry?
The answer to that question depends on how you think Dr George Miller fits into the Australian industry. Outlaw hero,…
Screen Producers Australia - kitemark to calm combatants
Credits are a very important form of display for filmmakers, and SPA is trying to create a reliable system of…
The Boy and the Beast
Rousing but not always riveting, this animated coming-of-age effort still remains enchanting, enjoyable and earnest.