Television
Box Office 12 Feb 2018 - Sweet Country robust
Sweet Country thunders through the desert, doing fine but would do better in a just universe.
Australian SF and fantasy screenwriting - back from an iron grave
The long birth, death and resurrection of Australian SF and fantasy on screen is backed by ace writers and a…
Netflix destroys dreams, evolves before our very eyes
Netflix changes purchase policy and bang go Australian dreams. Can we save anything from the wreckage?
Austin to the rescue - at last Australian films get festival traction
Ending a small excitement drought, the South by South West fest in Austin has glommed onto two features, three shorts…
AFTRS Costume Design, Screenwriting, VR, Directing & More
Grab the last spots in AFTRS short courses this weekend: Intro to Costume Design with Tim Chappel (The Adventures of…
Sweating through the US border - survival tips from a screen expert
Getting a visa to work in the US film industry has now become much harder. Crack lawyer Andrea Szew lays…
Menashe film review: An empathetic gaze at the life of a misfit
Set within the Orthodox Jewish community, this insightful film proves naturalistic in its look and authentic in its emotions.
Box Office: 5 February 2018 - how sweet the country
Sweet Country hangs in pretty well. Success depends on how long it stays on screens.
Den of Thieves
The derivative heist thriller owes a considerable debt to its influences, but can’t shape them into an involving action effort.
'That is not the limit of my ambition': One-on-one with the Arts Minister
ArtsHub sat down this week with NSW Minister for the Arts Don Harwin in a checklist conversation that tackled funding,…