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Review: Madeline’s Madeline, Revelation Perth International Film Festival

An astonishing debut performance drives this expressionistic coming-of-age film, toying with life, art and everything in-between.

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Rolf de Heer - a chasm of difference between an Australian story and an Australian storyteller

Rolf de Heer is a remarkable filmmaker, Dutch born, probing deeply Australian stories, honoured internationally. Here he talks about the…

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Review: Beast, Revelation Perth International Film Festival

A taut character study as well as a psychological thriller, this superbly acted film examines beasts and beauty on several…

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Iranian cinema - sharply modern, fed by tradition

In art cinema land, Iranian films can be arresting, varied, mischievous and enigmatic. An email interview provides a glimpse of…

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Review: Skyscraper, Universal Pictures

Dwayne Johnson takes on the world’s tallest building, a sky-high fire and generic villains in this derivative action effort.

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Review: Funny Cow, POW Films

Women and comedy and the working men's clubs of England's north: not so funny but unforgettable.

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What can the screen sector tell us about the future of work?

Screen Producers Australia tells Parliament about freelancing, creativity, the brain drain and the gig economy.

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What's On Screen: Jill Bilcock, The Second, Skyscraper and arthouse faves

Melburnians rush for festival tickets, lovely arthouse fare glows and Ella Havelka appears in a documentary streamed on SBS.

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MIFF 2018 launch unveils the Australian highlights

Melbourne filmgoers, provoked by the launch, are now frantically booking their films. It is first in, best anoraked, with sadness…

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Ones to Watch - building the future one detail at a time

Fear of kitten vids, spiritual optometry and the end of the world - three SPA Ones to Watch who were…

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