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Review: Alita Battle Angel

Decay, rebirth or both? Alita has a healthy audience, a certain youthful innocence and the contradictory energy of James Cameron…

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Around the web 22 Feb 2019 - leading off with In Like Flynn

Lots of Netflix news, plus China complications, In Like Flynn interview, and Oscar scripts. And the future of AI.

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Review: Soderbergh's High Flying Bird has skin in the game

This Netflix feature shot on iPhone and set in the world of American basketball may baffle or intrigue.

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Guild News - announcements for 22 February 2019

The ADG Awards, Production Designers Guild and Oscars, Screenworks widens composers scheme, AWG wants your AWGIE submissions.

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Oscars - who do we think will win?

In a really wide open field, we risk Screenhub's reputation with some firm predictions. Will we be humiliated by Monday…

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Berlinale 2019: Australian filmmakers go global to stay global

Soaked in the authentic gravity of German audiences on Potsdamerplatz, Sarah Ward assesses the Australian impact in 2019.

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APSA sets 21 November 2019 as the night of Asia-Pacific nights

With a confirmed date to anchor November's schedule in Brisbane, APSA stops to celebrate the number of Oscar nominees who…

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Producing for the Screen - initiating the emerging producer

Most producing handbooks are cures for insomnia. This one is lively, local and clear as it shares key information between…

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Interview with Nic Wrathall, director of Undermined: Tales from the Kimberley

Fighting injustice and questioning the media are key drivers for this documentary filmmaker's latest work set in Australia's remote north…

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The Five Provocations: Interview with Angie Black

Drawing inspiration from Miranda July and Mike Leigh, experimental filmmaker Angie Black discusses her improvisational processes and the importance of…

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