Television
Audience Awards at Sydney Film Festival rarely stray far from home
Audience awards are statistically strange but certainly encapsulate loyalty.
Key emerging filmmaker events from Adelaide and Melbourne
On exactly the same weekend of July 27-28, AFTRS has partnered with two separate agencies in different states to focus…
New Minister Fletcher shows inclinations on quotas and content regs
Though the government is mostly silent on the content regulations debate, Paul Fletcher has his initial reactions on his website.
Box Office 24 June 2019 - family blockbusters overwhelm market
Top End Wedding won't go far beyond $5.1m which is way below the figures for a popular indigenous film of…
Netflix to ramp up policy war over regulation
The new Australian Netflix office is being talked up as a golden goose for producers, but the lobbyists think the…
Vale Bill Collins - unique, electric and inspired
Bill Collins, Mr Movies, was a prince of suburbia who inspired three generations and maybe shifted the direction of Australian…
How to speak directly to the camera
Asked for a pitch to camera? Here's how to go from collywobbles to a confident smile. Just remember the eyes…
Film Review: I Am Mother is classic sci fi with a lot on its mind
A rock solid concept, great production design and expressive performances make this Australian Netflix film well worth your time.
Film Review: Never Look Away - unless it's conceptual art!
This thinly disguised art biopic works directly against the complex ideas of its subject, says Adrian Martin.
Big Screen Highlights - Some ace fests, plus pets, toys and a savage doll
Besides the new films, fest fever strikes Perth with a Revelation, and four fests exhaust Melbourne audiences in under a…