Television
Scoring a role: how do you compose music for games?
Videogames offer many opportunities for audio experts, but how do you crack into this evolving industry? We talked to Ring…
Arts criticism of disabled artists needs to get smarter
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the…
ICYMI: A wrap of this week’s arts news
Victoria lands Netflix’s Clickbait, Indigenous Jewellery Project holds survey exhibition, AGWA celebrates 40 years of brutalism, 2020 programs announced and…
Kate Mulvany scoops the AWGIES
The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.
Box Office: The Australian Dream hits cinemas amid flash, fun and flameouts
Animation rules at the box office and limited release, while some Aussie productions are just hanging onto their screens.
TV Review: Glitch season 3 really will be the end
Inspired by a trash voodoo myth, Glitch gives the Undead an unnerving Australian edge even as it keeps the secret…
On the move: new ACCA ED and Overland editors appointed
New leadership roles announced for ACCA, UTS Animal Logic, Sydney Design Week, Overland, SA Film Corp, among others.
Film Review: The Kitchen's stars struggle against patriarchy – and poor scripting
This gangster tale could have been a feminist favourite, but its stellar cast are let down by one-note character writing.
Review: Angel Has Fallen hits new heights
As action goes, the Fallen series has shot, stabbed and belted its way into the hearts of cinema goers and…
Greater diversity in screen is good for business
While Australian film and television may be dominated by people of Anglo backgrounds, Jackie Bailey argues that we could be…