Television
Travelling light: A solo shooter’s gear guide
Filmmaker Markus Stone looks at how to film without a crew by assembling a mobile travel kit of cameras, lights…
Screen Forever: on the hunt for answers
Screenhub is on a mission at Screen Forever. What do we want to know about, from our unique industry perspective?
Film: Emu Runner from solace to salvation
Emu Runner is a quiet film of a child dealing with grief and her bond with the emu, nguri told…
Film: Judy & Punch is impish, anarchic and distinctive
Mirrah Foulkes' delightfully dark feature film debut gives a feminist twist twist to the squabbling sideshow couple.
Big Screen Highlights - Promised, Emu Runner, Finke and Happy Sad Man
Very different visions of Australia pile onto our screens, though you may have to search to find them. Plus festivals…
Piloting a Program for Change: Women in Film & Television (WIFT) Australia
Designed to target gender-based violence and discrimination in the screen and games industries, the ScreenMATE Bystander Program runs in Melbourne…
Garth Davis in joint venture with See-Saw called I AM THAT
With Samantha Lang as head of development, Garth Davis and See-Saw are formally joined at the business hip.
Box Office: Little Monsters, Ride Like a Girl and Promised
Parasite has sucked the arthouse world dry and hasn't finished. Ride Like a Girl is still out in a mad…
Just Hit Send: Christian White's top tips for authors and screenwriters
The bestselling novelist and screenwriter of 'Clickbait', Netflix's first Melbourne project, talks story structure, terrible first drafts and the myth…
Drama report confirms resilience of Australian screen sector
Here’s a different way to look at the annual Screen Australia Drama Report, all in the name of optimism.