Television
Box Office: Babyteeth chomps on grimly as wild old men duel for dosh
Bad Boy Russell Crowe is bankable while Mel Gibson flops as a famed art connoisseur. The young makers of Babyteeth…
Three South Australian filmmakers share in Lottie Lyell Award
Fiona Percival's animated series 'don't f with me' wins the major development prize, with Madeleine Parry and Allison Chhorn also…
Screen News in Brief: there is no courage without fear
'Mulan's debut on Disney+ may change exhibition forever. 'Metro Sexual' sells to US, ABC announces bushfire drama series, and Screen…
Is 2020 the year of the classy short?
What can we tell from the current crop of Australian short films in festivals?
Box Office: Babyteeth stable while Dare to Dream goes soppy to get rich
From Babyteeth to crocodile fangs, the Australian pictures are practicing The Secret, which is the culmination of an amazing journey…
SAFC responds to government order: go for growth
South Australian screen support bodies keep their independence, bet on idealism and co-operation.
Diverse voices championed in new collaboration
At Screenhub we want to fully represent the Australian screen industry, including those voices silenced or lost in established power…
The Distorting Mirror: Adrian Martin's MIFF Highlights
Sifting for gems at the Melbourne International Film Festival 68.5, this critic finds European treats 'Ema', 'Paris Calligrammes', and the…
Documentary and the wild, weird world of COVID-19
Feeling dull? A Wellness Roadshow webinar, AIDC podcasts, an online edition of the World Congress of Science and Factual Producers,…
A new International Finance Fund, a surge in certificate applications for Screen Australia
Screen Australia has a couple of dead practical announcements to help focus the minds of producers.