Television
Music is in danger of being taken for granted - screen composer Amanda Brown
The former Go Betweens violinist and longtime screen composer talks AACTA wins for Brazen Hussies and Babyteeth, juggling jobs, facing…
Box Office: Eric Bana is an Australian hero
The drily titled The Dry is doing remarkable business which could well be leg one of a trifecta.
What We're Watching: January
Teenage Kicks, Wolfwalkers, and musical YouTube channels: let's take a look at what the team is watching at the start…
From home to the world – an honoured screen composer has her life sewn up
'The ability to focus, without interruption and just inhabit a beautiful space where you're working extremely fast with clarity.' Nerida…
News in Brief: year begins with modified hope and modest dreams
Screen Forever moves online, ACMI's set to reopen, and classy Australian films screen at cinemas. Here's what you need to…
How Australian films did globally in 2020
From The Invisible Man to Measure for Measure, Anthony Ginnane does his annual scorecard of Australian film's global theatrical performance.…
Streaming wars: how threatening are they really to the film industry?
There's a lot more to the streaming pivot than horror in the exhibition sector. It will resonate across the entire…
How to thrive with performance anxiety
Nerves are normal and part of our human conditioning. These simple strategies can help you shine at your next audition,…
You like them and so do we: a sampler of favourite Screenhub stories
Between Covid and the government's determination to back the free enterprise media, the sector has had its toughest year in…
Box office: not with a bang but a whimper
This week's box office report is predictably topped by seasonal fun and family favourites, as a difficult year draws to…