Television
SBS, Screen Australia co-fund three year program to foster diverse screenwriting talent
The Emerging Screenwriters' Incubator will be run in partnership with screen bodies, providing 18 diverse screenwriters with employment in top…
This is your new world, says Minister Fletcher to producers
The game is far from over, but the Minister's speech at Screen Forever 2021 points to a whole new casino…
What We're Watching: February
The Dry, Penguin Bloom, kdramas, cartoons and more, in this month's roundup of what the office is watching.
Vale Ian Richter, scenic artist
Ian Richter was 'a generous and gentle soul who loved the world and all its riches', according to Michelle McGahey…
Connolly plunges into the deep after The Dry
Can Blueback, now starting production in WA, do as well as The Dry? Hard to compare as this film has…
Box office: Long Story Short late to the box office party
Four of the top five films at the box office are now Australian for a total exceeding $25m.
A Valentine for Baz Luhrmann's Romeo + Juliet
Celebrating the film's 25th anniversary and cinema re-release, Mel Campbell writes a love letter to the iconic movie that makes…
How Historically Accurate is High Ground?
Close research by academics reveals the violence depicted is uncomfortably close to the truth.
News in Brief: Three Australian films for SXSW, ACMI opens, and conferences get set to go
Leah Purcell's The Drover's Wife will world premiere at SXSW, along with Gracie Otto's music doc Under the Volcano. There…
The financial artwork behind Long Story Short
Jamie Hilton has a viable business making low-budget indy arthouse films. This is how he does it.