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Exhibition sector split by government relief funds

The indie exhibitors tug regional heartstrings to get support funds while multiplexes left out in the cold.

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Box office: the blockbusters are back

High octane monsters blast across the screen just as the Australian films reach the end of their run.

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Disney comes to ACMI in Australia-first exhibition

'Disney: The Magic of Animation' comes to ACMI in May, bringing over 500 unique Disney artworks to Australia for the…

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News in Brief: Cameras roll on Total Control 2 while US version gets piloted

SBS cooks up its biggest commission, Megan Riakos leaves WIFT to get creative, and Australian films selected for Hot Docs.…

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Make a film in 48 hours? No problem, says Adelaide

Australian input to the global 48 Hour Film Project is back, at least in Adelaide with a crazed weekend of…

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Will Disney toast local exhibitors with streaming policy?

Exhibitors will lose a lot of money over Disney's hard line about streaming its prime content. But local audiences may…

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Marvel, Netflix and NBCUniversal change debate on overseas production

International productions are building alliances with local companies as the game changes from features to streamed series.

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Box office: The Dry is more impressive than you think while Nomadland shines too

In the lull before the holiday onslaught, The Dry passes $20m. Meanwhile in China the highest grossing weekend flick is…

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Aboriginal horror short The Moogai wins at SXSW

Jon Bell's The Moogai stunned the jury in the Midnight Short section at SXSW with its exploration of the continuing…

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Book Review: Goodbye, Dragon Inn by Nick Pinkerton

The first Decadent Edition from Fireflies Press is a beautifully produced and thoughtful essay from a prolific and eloquent critic.…

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