Television
What happened to 3D movies?
Remember Avatar and the mini-boom of 3D films? We ask the industry how things changed in the last decade, for…
TV Review: Wakefield succeeds with equal opportunity compassion
A drama where everybody hurts, Wakefield’s equal opportunity compassion holds it all together.
Writing the fine line between sanity and madness: Wakefield's Kristen Dunphy
Drawing on her own mental health struggles, the award-winning Australian TV writer talks about creating characters who are more than…
Neighbours: more come forward about racism on set
Former regular Sharon Johal has spoken out about her own experiences of racism on-set, expressing hope that this outpouring will…
What We're Watching: Quo Vadis, Aida?, Call My Agent! + Bill and Ted
This month, Artshub and Screenhub's picks range from silly to serious, with the critic's pick for Best Foreign Film at…
Netflix and HBO reveal surprising data in time of chaos
Netflix and Warner Media are trying to harness globalism, and discovering it is harder than they thought. Can Australian producers…
Ask the Mentor: how do I get my first job?
Getting started is hard, but fortune favours the relentless. Also, you should get cracking on LinkedIn, says Media Mentor Esther…
Screenwest pushes local angle with new CEO
Rikki Lea Bestall replaces Willie Rowe as CEO in Screenwest at a time of considerable change.
TV Review: Everything's Gonna Be Okay S2 is a safe space
Fuzzy, comfy and cosy, Josh Thomas's US series is more about mood than story or character development and that's alright,…
News in Brief: Cast of Fires revealed, Ascendant acquired by Goldwyn, and Rising Sun sold to FuseFX
Catch up with our fortnightly round-up of news, views, announcements and reviews from the world of Australian film, TV and…