Streaming
Spielberg concedes to Netflix in new deal for the small screen
Once Spielberg saw Netflix as a kind of gremlin. Now the little beast has grown so large, he has partnered…
Matt Nable's creative expansion continues with Stan Originals movie
The former rugby player turned novelist, screenwriter and actor is now directing his first feature, 'Transfusion' starring Sam Worthington and…
Foxtel in for the kill in debate over Australian content quotas
At one minute to policy midnight, the screen sector resists cut to Foxtel obligations, wants to deal with streaming regs…
Hug the Sun Review: A Circus of Chaotic Comedy
From the Aunty Donna production house, Hug The Sun's brand of sketch comedy disguised as a fictional children’s program is…
TV Review: Eden Finds New Perspectives on the Missing-Girl Mystery
While it starts off a bit stale, Eden's looping, iterative narrative structure helps to enrich its characters and themes, writes…
Why do the elves in Dota have Australian accents?
All the elves in Dota: Dragons Blood are (spoiler) all Australian and we don't know why – so we asked…
TV Review: Jack Irish gets more than a farewell tour
It's the end of an era for the Fitzroy lawyer turned private investigator. A sharply scripted final series gives him…
AMC greenlights Warwick Thornton's vampire series, Firebite
Thornton and Brendan Fletcher team up again to have some fun on Firebite, a See-Saw co-production to premiere on AMC+…
Netflix snooty at Cannes and our sector clobbered
Netflix has managed to dump both Jane Campion and Andrew Dominik out in the cold as everyone else focuses on…
TV Review: Ms Fisher's Modern Murder Mysteries S2 is groovy
The latest Ms Fisher franchise is crafted with care and style to spare. It's got a 60s sleuth you want…