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TV Review: Everything's Gonna Be Okay S2 is a safe space
Fuzzy, comfy and cosy, Josh Thomas's US series is more about mood than story or character development and that's alright,…
Go remote for stronger stories, says Tailings director Stevie Cruz-Martin
The director of new SBS series The Tailings talks about filmmaking on the remote West Coast of Tasmania, the resilience…
Screen industry lobbies Parliament to regulate streaming services
The well-oiled screen industry lobbying machine went to Canberra to launch a key demand converting the streaming companies into partners…
What We're Watching: March
This week we get into Australian content, from body positive documentary Embrace, to games, TikTok, podcasts, and a guest appearance…
Netflix India faces the battle of the Bollywoods
While we watch the Feds and Netflix size each other up, the pan-global streamer is behaving differently in other territories.…
How to build the perfect format show: from Naked Attraction to Gogglebox
Gogglebox? Dragon's Den? Naked Attraction? What kind of loon thinks of these things? His name is Tim Harcourt and he…
Meet the TV Buyers: what do they want in scripted and factual?
In two Screen Forever sessions, some key buyers in factual and scripted talked about what's rating and the gaps they're…
Showrunning, Sera Gamble and the Australian model
The US creator of TV's 'The Magicians', 'You' and 'Supernatural' talked power and intensity, while in another session local players…
What We're Watching: January
Teenage Kicks, Wolfwalkers, and musical YouTube channels: let's take a look at what the team is watching at the start…
You like them and so do we: a sampler of favourite Screenhub stories
Between Covid and the government's determination to back the free enterprise media, the sector has had its toughest year in…