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Screen composers pressured to reduce quality and they don't like it

Streaming contracts seem to be turning nasty, and composers are feeling the pressure internationally. Here is Caitlin Yeo, president of…

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Screen Forever 2019 gives Ludo its night of nights

The producers' rules about glamour: you need a clear schedule, time obsessives rule, and hunger increases anticipation. This year they…

Opinions & Analysis

Gender Matters Fail: An Open Letter to the Board of Screen Australia

Global academics and advocates have responded to persistent gender bias in recent funding announcements with dismay. A collective letter with…

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Deaner opens Screen Forever 2019, reveals new way to entice government

Deaner focused on moving the lobbying into new territory, to talk the talk of opportunistic globalism. It works.

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Hey presto! He understands. Minister Fletcher makes a speech

Minister Paul Fletcher keeps the mystery about the government's decisions on regulation, but sets out to prove he understands what…

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Screen Forever: on the hunt for answers

Screenhub is on a mission at Screen Forever. What do we want to know about, from our unique industry perspective?

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Piloting a Program for Change: Women in Film & Television (WIFT) Australia

Designed to target gender-based violence and discrimination in the screen and games industries, the ScreenMATE Bystander Program runs in Melbourne…

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Drama report confirms resilience of Australian screen sector

Here’s a different way to look at the annual Screen Australia Drama Report, all in the name of optimism.

Australian documentary 2040
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Film, philanthropy and the biology of hope

Q: What makes a great cause-related documentary? A: a great documentary made by amazingly driven people, as demonstrated by the…

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Europeans have streaming companies dead to rights

The international streamers would not be pleased with a quota to operate here - but they have already surrendered in…

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