Film
Watching Christopher Nolan’s Oppenheimer in Ukraine: his tragedy is our reality
While daily life in the war-time state constantly fluctuates between feeling like a farce and a Greek tragedy, Oppenheimer emphasises…
Simulant starring Sam Worthington – cheat sheet
Everything you need to know before the cinema release of Simulant, in less than 60 seconds.
Barbie review – this Barbie will bust the block
Barbie perfectly walks the line between being a Greta Gerwig film and a Mattel movie based on a toy, and…
Australian film censorship and the movies that made us sweat
When it comes to the line between artistic freedom and consumer protection, Australia has often waddled clumsily, and sometimes to…
Oppenheimer review: Nolan approaches the sublime
A mighty ensemble carries Nolan's epic thriller Oppenheimer through its hellfire glare and haunted grey pallor.
BOFA Film Festival program picks
Tassie's Breath of Fresh Air festival is back this September, with a taste of acclaimed international and local features.
Eco-horror and Australian films pair well – and offer hope
Australia has produced more than its share of eco-horror films, and it’s hardly surprising, but there's a silver lining.
Force of Nature: The Dry 2 release delayed due to SAG-AFTRA strike
Eric Bana said: 'It is with some regret, but a large amount of conviction that we have decided to postpone…
Queer Screen Film Fest's 10th anniversary lineup
Mini-event Queer Screen Film Fest is back this August in Sydney, bringing with it films like Monster, Equal the Contest,…
The Plains director David Easteal isn't interested in labels
David Easteal, director of Australian film The Plains, talks to ScreenHub about making his genre-defying, internationally acclaimed debut.