Film
March of the Moguls: what future for the Convergence Review?
The slow-motion election campaign now foisted on the public will sweep all the current hot buttons for screen policy into…
The Hobbit at 48 fps: in which an obscure technical issue becomes a huge PR hook - and makes our hea
The thing is, says technical maven Dominic Case, "the closer a film gets to reality, the easier it is to…
AACTA 2013: as seen on television
The AACTA Awards are very much a work in progress, and the stars gave their all, but most of the…
AIDC 2013: good news story about to collide with reality
Creating a great documentary conference is always a tough gig, and the AIDC set itself some insane organisational challenges through…
Tropfest: abandoned, retrieved, let loose on the mainstream
Tropfest will be broadcast by SBS on the night of the awards. At last, all Australians can tune into the…
Open Channel Filmmaker Initiatives bring members face to face with the creators of MythBusters, Anat
As Victoria’s home for emerging and early career screen practitioners for over 40 years, Open Channel filmmaker initiatives are focused…
Tacita Dean pays tribute to celluloid cinema
One of Britain’s best known contemporary artists celebrates the analogue processes of celluloid cinema in a new exhibition exclusive to…
Juliana Engberg
Juliana Engberg is currently the Artistic Director of the Australian Centre for Contemporary Art and also the 19th Biennale of…
Southern Star : Endemol to do the ownership waltz one more time before midnight?
Endemol matters to the Australian sector because it is a large international player, and it just happens to own Southern…
Branded Entertainment: changes at Endemol refocus emphasis on BE
Endemol, no stranger to turmoil, has rejigged its senior management structure, and created a more complex structure for its branded…