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The heady trajectory from the corporate world to Cannes and Netflix

From office life to MumLife, an alumna from the Australian Film Television and Radio School (AFTRS) reflects on her journey…

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Carmen review: dance is grand, but story is king

Re-imaginings have the power to transform the old into the new, but this interpretation of Bizet's Carmen doesn't exude quite…

News

CinefestOZ announces Shayda and The Rooster among finalists for film prize

WA's premiere film festival, CinefestOZ, has revealed the nominees for the Australian Film Prize, worth $100,000.

Features

Sisu – need to know

When the Nazis steal a Finnish prospector's gold in 1944 they get more than they bargained for.

Features

MIFF 2023 program – Gala, Australian and international highlights

MIFF has announced its Opening Night and Closing Night films, as well as the best documentaries, homegrown and international films…

Features

Carmen producer Rosemary Blight on Millepied's bold reimagining of Bizet's opera

Australian screen producer Rosemary Blight reveals that Paul Mescal didn't know how to dance, box or play guitar before filming…

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Audrey Napanangka review: an enriching piece of Australian cinema

Shot over ten years, this film about Audrey Napanangka provides an expansive yet intimate portrait of a family living between…

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The New Boy review: an enchanting and intriguing film

Director Warwick Thornton delivers a moving exploration of Indigenous spirituality through the eyes of a curious child.

Opinions & Analysis

What to watch: Red, White & Brass in cinemas

Red, White & Brass is the latest entry in a long line of musical underdog films – and it's worth…

Features

From RackaRacka to Talk To Me: Michael and Danny Philippou stay humble

What scares the duo behind acclaimed A24 horror Talk To Me? Jump scares, suspense, or ... the Letterboxd community?

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