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Scarygirl tells a story of human-nature connection through Australian animation

Scarygirl, in cinemas now, emulates a toy aesthetic to teach kids about the natural world and the need for human-nature…

Sweet Juices. Image is of a dark bathroom with orange light coming through a slatted window. A woman of Asian appearance and long dark hair sits on the toilet looking despondent, while a bearded man in a striped apron stands in the bath looking at his phone.
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Interview with the creatives behind Sweet Juices

In conversation with Sydney-based co-directors Will Suen and Sejon Im, and their irreverent and rumbustious short film, ‘Sweet Juices’.

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The Sloth Lane: Leslie Jones voices a cheetah in Screen Queensland-funded film

The Sloth Lane revolves around a family of sloths, voiced by a mix of Aussie and international actors, who embark…

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Australian-helmed film The Aegean wraps production in Greece

Jacob Richardson has completed his film The Aegean, describe as a 'sweeping epic' with an Australian and international cast.

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Monolith review: a chilling Australian indie horror

In Matt Vesely's slow-burn horror, questions are raised about journalistic ethics while thrills and chills arise over a mysterious black…

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All Silent Dogs and other disability-led films to screen at The Other Film Festival

The magical realist short will screen at Australia's international disability film festival this November.

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The Emu War: Aaron Gocs says 'I did my own stunts'

Damian Callinan, Aaron Gocs and Dane Simpson sat down for a chat with ScreenHub ahead of the film's world premiere…

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Hot Potato: The Story of The Wiggles review – a must-watch doco

From their formation in 1991 to the many break-ups, reunions, and evolutions, we get in-depth coverage on Australia's favourite children's…

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Runt: Craig Silvey's novel heads for the big screen

Jai Courtney, Celeste Barber and Deborah Mailman are among the cast for the forthcoming Australian film.

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Poor Things review: a fabulous feminist odyssey

Emma Stone delivers an Oscar-worthy performance in this surrealist spin on Alasdair Gray's 1992 novel.

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