Film
Screen Forever 2013: Drama in the BBC's DNA
If you think about producers of high quality television drama, the BBC has got to be at the top of…
Screen Forever 2013: enter Canadians, turning co-pros digital
Besides the wondrous mantra of co-production, the Canadian officials talked envelopes, digital media, significant government budgets, and confidence about the…
Screen Forever 2013: Dude, Where's My Audience?
With VOD, catch-up viewing, second screens, time-shifting, cord cutting and all manner of changes looming over the content consumption landscape,…
Screen Forever 2013: Multi-Channel Networks and the Business End of YouTube
The days of YouTube just being
Screen Forever 2013: The Challenges Facing Network Ten
Hamish McLennan, CEO and MD at Network Ten, acknowledged problems and served up a few useful nuggets to producers who…
Screen Forever 2013: The art of the pitch
Over the last twenty years, Australians have become pretty good at the presentation side of pitching. But, receivers of pitches…
Screen Forever 2013: Building Universes for Global Audiences
Ben Ten came from a company with a singular name and a plural ownership. Mark Poole watches four humans cohere…
ScreenHub Hack: fixing a mess
Yesterday's ScreenHub hack did a lot more than run porn to some astonished grownups. It also trashed all the content…
Screen Forever 2013: interrogating the Foxtel animal
What happens when Bob Campbell, veteran managing director of Screentime, encounters Richard Freudenstein, the managing director of Foxtel? Beyond the…
Screen Forever 2013: format wars, and the real truth of transnational expansion
Screen Forever, the 2013 edition of the rebadged SPAA Conference, organised by SPA, or Screen Producers Australia, formerly SPAA, the…