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What's on screen: Breaker Upperers, Wrong Kind of Black, MIFF, Koreans...

MIFF, French comedy Dr Knock and Wrong Kind of Black head a lineup which also covers the Palace doc fest…

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Peering into the Casting Cauldron of Australian Web Series

How does the casting process work in an arena where new and emerging performers are the norm and budgets are…

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Daley Pearson - Australian stories are 'authored and from the gut.'

What do we mean by Australian stories? Queensland producer and comic creative Daley Pearson provides a beaut answer from Coolum…

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The Resurrection of Phryne Fisher

Seven rescues the Fisher family and its trademark glama-detective approach to evil as Miss moves to Ms and 1930 skips…

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Playing Hardball for the Kids

Kids' TV drama is a rare beast these days, especially in NSW, but as Northern Pictures' 'Hardball' starts shooting in…

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Screenrights Chief Executive Simon Lake resigns

Screenrights loses a veteran who has presided over enormous changes over twenty years. Expect Simon Lake to surface for new…

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Prism - how can Australian feature production emerge from its Vale of Tears?

First tool to advance the frustrated Australian feature sector is clear thinking, backed by co-operation. Here's a good start.

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Tony Ayres goes global: I feel like the guy who has the cake and eaten it.

Tony Ayres has walked away from Matchbox Pictures to become a global player. Here's why.

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New York arts exec to head up Create NSW as CEO

Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.

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Artstate Bathurst returns real talk and real outcomes to regional NSW

This festival redresses the balance in where the state’s cultural conversations are held.

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