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Small Screen Highlights: TV and Streaming

On our radar this week are Australian series The Family Law and Bloom, and Netflix Originals Shirkers and Private Life.…

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Predictions - much bigger markets, content is bait, professions melt together

How do we see ourselves in the current whirl of change? In some vast anthill, owning nothing, imitated by machines…

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Theory: Film peaked twenty years ago? Fact: You decide.

Over twenty years the exhibition landscape has changed enormously. Will film ever be as good again?

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Review: The Beehive, at UNSW Galleries

The Beehive is more than a story about a missing socialite, it's a fresh take on the documentary genre that…

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2019 Conference and Symposium Planner

Whether you're looking for professional development, tapping sector trends or seeking to rub shoulders with cultural entrepreneurs, ArtsHub's 2019 Conference…

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To those we lost in 2018, vale

We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2018.

Opinions & Analysis

10 buzzwords that dominated the arts in 2018

Our language tells us a lot about who we are: our confidence, our embrace of trends, our professionalism and our…

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No longer Deluxe, Alaric McAusland opts for Grace

Alaric McAusland reveals a surprising jump sideways into Josh Wakely's Grace, which he claims is a solid move into the…

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Screaming Night - an instructive tale about Chinese audiences

While the cinema exhibition sector takes a dive, China's SVOD iQiyi is building a monster company with very different ideas…

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Incendiary knucklehead Les Norton gets ABC and Edwards treatment

Respectable Auntie, straightforward John Edwards, the handy fists of Les Norton - the ABC takes a punt it won't be…

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