Film
Create NSW recreates itself, again
After a lot of grief to assemble its present structure, Create NSW takes a backward step to recreate Screen NSW.
Elephant stomps on traditional development practice
How will theatre company Back to Back adjust its joyful collective work to the sad disciplines of cinema development? They…
Screenhub kicks off the Hub Club with a discount offer on Screen Forever
We are much more than a bunch of stories as members are about to find out with our new Hub…
Leading for change – who’s leading disability arts?
From being disability-led from the top down to making everyone share responsibility to be leaders for change, those doing it…
Queensland's woman of mystery goes to the dark side
Tracey Vieira's future after Screen Queensland is now assured as she joins the state's funkiest prodco with the mostest focus…
Crack Hollywood before you leave home - here's one approach
Writers trying to open a door to Hollywood are offered support systems in many different shapes and sizes. Here's one…
Scoring a role: how do you compose music for games?
Videogames offer many opportunities for audio experts, but how do you crack into this evolving industry? We talked to Ring…
Kate Mulvany scoops the AWGIES
The Sydney Theatre Company’s The Harp in the South sweeps up the big prizes in the Australian Writers Guild awards.
What exactly does a showrunner do?
This television role is crucial – but strangely elusive. Darren Paul Fisher sheds some light on the secret life of…
AWGIES 2019 - clear favourites dominate night
Irish eyes were smiling all over the audience of writers at the Australian Writers Guild's annual awards. And TV featured…