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The Substance, dir. Coralie Fargeat. Image: Mubi
News

Cannes Film Festival: all the winners

Anora, The Substance, and Kinds of Kindness have all received prestigious gongs at the 77th Cannes Film Festival.

Race driver Renee Gracie sits behind the wheel of a blue race car wearing a blue race helmet in a still from the Stan documentary.
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Renee Gracie: Fireproof, Stan review – driving the narrative from OnlyFans to Supercars

Firmly on Gracie's side, this doco paints a convincing portrait of sexism in sport and a woman's determination to defy…

A Portrait of Love still.
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A Portrait of Love review: behind every great man there is… another one

Molly Reynolds’ intimate documentary uses the home movies of Roberto Meza Mont to shine a spotlight onto his life with…

Still from Garfield (2024). Image: Sony Pictures Releasing.
Features

Cinema guide: new films in Australia this week

From The Beast to Garfield, here are all the new films in Australian cinemas from 27 May to 2 June.

the sims movie adaptation
News

Margot Robbie’s The Sims is officially moving forward

The Sims is getting a feature film adaptation from LuckyChap, with direction from Kate Herron.

Birdeater. Image: Umbrella Entertainment
News

Birdeater: Australian psychological thriller secures release date

Festival favourite Birdeater flies into Australian cinemas this July.

Barry Otto in Otto by Otto. Image: Stan
News

Revealed: Otto by Otto – first look at Barry Otto doco by daughter Gracie Otto

The documentary is an intimate portrait of stage and screen icon, presented by daughter, Gracie Otto. It will premiere at…

Stan Christmas movie creators Jenna Owen and Vic Erbst
News

Stan Christmas movie in production: Nugget is Dead

The latest holiday movie from Stan comes from comedy writers Jenna Owen and Vic Zerbst.

Furiosa Anya Taylor-Joy
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Furiosa: A Mad Max Saga review – grinds every gear

Can George Miller strike grease lightning again with this fast and furious prequel led by Anya Taylor-Joy?

Paco
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Paco review: a fantasy quest through the everyday

Tim Carlier’s clever and ambitious low-budget comedy is a love letter to Adelaide and its communal arts scene.

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