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Is your digital pivot sustainable as core programming?

How sticky is your new digital COVID programming, and will it make that secondary pivot back into your core programming…

Features

Nick Robinson and Jon Shaw make wildlife documentaries for people who don't care – yet

'It’s all very well to say "we need the ocean to live", but I bet most people on the street…

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See-Saw Films brings an Australian touch to the strangest Cannes Festival of all

The appearance of Ammonite at the Cannes Film Festival is just words on a piece of paper, but they cast…

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Dedication, determination and self-love: one director’s journey

Gut Feeling, a multi-award-winning Australian web series, has launched the career of AFTRS alumna Hattie Archibald. She tells us how…

Features

Nerida Moore, Screen Australia’s Head of Development, on COVID impact

While the sector is frantic to start shooting, it is also relishing the chance to develop projects. How does that…

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Free online workshops on interactive writing hosted by South Australia Film Corporation

Prepared to support local writers, this professional development program goes national and global, with guaranteed places for SA writers. Christy…

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TV Review: Operation Buffalo - a darkly comedic take on dubious historical moment

Set in 1950s Australia around the Maralinga A-bomb tests, this satirical thriller from Peter Duncan is entertaining but takes a…

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COVID-Safe Guidelines released

The official guidelines for an anti-viral screen workplace are now out. No surprises but a vital level of certainty.

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Global Film Festival streams to us for next ten days, for cost of donation

If you could distill the absolute essence of cinema and watch it in the ultimate binge at home, you would…

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The Great Australian Binge winners

No less than four of the top ten in the industry-led popular top ten list rely heavily on a female…

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