Film
TV has changed, so must the way we support local content
One of the four regulatory approaches to television content is a new Australian Production Fund. Here is an argument in…
Ask the mentor: should I worry about lack of formal training?
Media Mentor Esther Coleman-Hawkins answers your career questions with brisk no-nonsense advice for screen professionals.
Defiance, progress and big ideas celebrated in international kids' TV awards
Australians are used to doing well at prime kids' TV moment the international Prix Jeunesse Awards. But this is the…
Plucky NZ conference creates New World Order by going online
Here's the nitty gritty of running a market based conference online. Challenging, enraging and ultimately a boon, according to Doc…
What We're Watching: June
From record shops in Brooklyn to the court of a Russian Czar, to a dystopian carceral future, the office’s favourite…
TV Review: Maralinga Tjarutja paints a full picture
Nuclear tests were just part of a longer story, as told by Larissa Behrendt's excellent documentary made as a condition…
$1 million in relief funding from Netflix and Support Act
Created with Support Act, the fund will provide $1000 one-time benefits to below-the-line Australian screen talent affected by COVID-19
Can we out-compete the world in production hunt?
Australia looks good in the international marketplace but the competition will get fiercer and fiercer. We have to urgently solve…
Seven Deadly Sins of Social Media for Artists
There are a wealth of opportunities when it comes to growing your social media accounts, but what are the absolute…
TV Review: Filthy Rich & Homeless S3
Eye-opening and engaging, the pity is we still need a third season of this show.