Film
The emotional cost of release day
In this excerpt from her longer article, studio and creative director Lucy Morris details the emotional cost of launching Starcolt's…
AACTA introduces $50,000 Reg Grundy Award for Unscripted TV
In search of fresh formats and open to the public the new award provides a mix of development funds and…
Screen Australia is a pesky bunch of fanatics. True or false?
Hands off or interventionist? Maybe screen agencies are simply going with the flow as they campaign for diversity and new…
Technology is the frontline of access to enable storytelling
London artist and technologist Jane Gauntlett will give the keynote at Meeting Place 2020, Arts Access Australia’s forum on Creating…
Just the Halifax Ma'am: Rebecca Gibney
The actor and EP revives her signature character for a new Nine limited series aimed at a global audience.
First look at the Melbourne International Games Week 2020 program
The online program has opportunities for industry and audience alike, including esports, conferences, gaming club, and a talk from 'Minecraft''s…
One of the great speeches on race and the screen sector
The remarkable British television historian who revealed the horrors of Windrush and the way the wealth of slavery created the…
Short films: searching for ways to get attention
James Woods is piling up the short films, has tried the festival route, and is now about to release on…
NZ Games Festival serves up 'The Pavs' Awards for 2020
The 2020 New Zealand Games Festival might have been postponed, but that didn’t stop them running a gorgeous Awards ceremony…
Theatre review: The Pact by Bitten By Productions
With The Pact, a crunchy, low-fi, tech-drama, Bitten by Productions may perhaps have bitten off slightly more than they can…