Film
Theatre review: The Pact by Bitten By Productions
With The Pact, a crunchy, low-fi, tech-drama, Bitten by Productions may perhaps have bitten off slightly more than they can…
Film Review: I Am Woman nails Helen Reddy's quiet self-possession
Unjo Moon's debut feature has profound affection for its subject but the script could have done so much more, argues…
Think tank: can virtual production transform screen budgets?
Virtual production is an amazing toy for the big end of production, but a panel at Screen Makers sees wider…
Film Vic funds eight new Australian games
Film Victoria's latest round of production funding will support games from Samurai Punk, Fae Daunt, Ian MacLarty, David Chen, and…
Screen News in Brief: Stan accelerates growth to more than 30 productions a year
The local streamer makes a flurry of announcements; plus Screen Australia development funding, Jack Thompson turns 80, and lots more…
How to have a screen career – ten tips that really matter
Ten ways to be part of the future. Because the COVID hiatus will be history.
From Now till Then: a brief reflection on institutional racism
Kalu Oji gives the perspective of an African-Australian film school graduate.
'Neon Cyborg Cat Club' generates unique soundtracks for the apocalypse
Created with the support of the City of Melbourne’s COVID-19 Arts Grants, ‘Neon Cyborg Cat Club’ is not a game…
The Masked Singer: all fine with a sinister edge
COVID-19 has finally struck the Australian screen sector, as seven dancers on 'The Masked Singer' test positive and production grinds…
TV Review: Hungry Ghosts is a trailblazing series
The ambitious Melbourne-made SBS drama deals specifically with Vietnamese experience but will resonate widely, writes Thuy On.