Film
Visions 2020 full program sets sights on the future of the arts
Our online conference will make sense of 2020 and think through the arts as an essential part of the ‘new…
Screen Forever begins to surface for Feb 2021
Hear the rumbles across the bridge to tomorrow? It is Screen Forever rolling out its first international mega-guests.
Digital Review: Spaceship Earth, The Capitol Theatre
RMIT’s Capitol Theatre presented another online shared-while-apart cinematic experience with a screening of Spaceship Earth.
AACTA drama noms for TV, short films and online fiction
As times change against the culture warriors, a very different Australia is crowding into our stories. It can be funny,…
Film Vic juggles present opportunities and future mysteries
Behind the recent Film Victoria $33.8M incentive announcements is a genteel rethink of the whole organisation. Double the games support,…
Madeline Miller: from Screen Australia to production attorney on the new Bond film
A passion for social justice and good storytelling need not be at odds with smart brand partnerships says this Aussie…
TV quotas: the government pretends to listen for one last time
Fake regulations, or an act of mercy to beleaguered broadcasters – either way, the game is over, for now.
What We're Watching: November
From Fargo to The Crown, The Queen's Gambit, an accessible Irish Film Festival and the puzzling new game Baba is…
When artists found Animal Crossing: New Horizons, it became a whole new world
Artists are hosting incredible digital events through Animal Crossing: New Horizons, in a time when COVID-19 made meeting in person…
Film Review: Ellie & Abbie (& Ellie's Dead Aunt)
Monica Zanetti’s queer coming out comedy has echoes of Australian high-concept teen classics. It's a refreshing crowd-pleaser, says Glenn Dunks.