Film
Exit interview: Alice Burgin finds joy in changing future
With a unique overview, Alice Burgin concludes that 'good, good people with the right attitude can make huge amounts of…
Brave New World: screen industry debates the impact of policy earthquake
There will be a lot of hard tussling over the proposed reinvention of the sector in 2021. Screen Forever offered…
Film Review: Firestarter: The Story of Bangarra is vivid and important
Firestarter: The story of Bangarra is about to be released in cinemas. Sarah Ward saw it as part of the…
Facebook bans Australian news
The restrictions on sharing news on Facebook in Australia come in response to the proposed News Media And Digital Platforms…
ALP missing in action on state of screen industry
Who thought of this? The ALP's opportunity to comment on huge changes in sector regulation turns into a fireside chat…
SBS, Screen Australia co-fund three year program to foster diverse screenwriting talent
The Emerging Screenwriters' Incubator will be run in partnership with screen bodies, providing 18 diverse screenwriters with employment in top…
This is your new world, says Minister Fletcher to producers
The game is far from over, but the Minister's speech at Screen Forever 2021 points to a whole new casino…
What We're Watching: February
The Dry, Penguin Bloom, kdramas, cartoons and more, in this month's roundup of what the office is watching.
Film Review: Unsound is a charming melody with some missing notes
A deeply human love story about a trans deaf man and a queer musician. Naavikaran honours this independent film's ambitions,…
TV Review: Why Are You Like This self-skewers twenty-somethings
Spinning off from a Fresh Blood pilot, this comedy mocks the pretensions and self-righteousness of youth, and though the characters…