Film
Netflix films look more like TV shows - here’s the technical reason why
Ari Mattes explores the visual differences between film recorded by high resolution sensors and film shot on celluloid.
Phantom Abyss is online multiplayer without the scheduling nightmare
Team WIBY's Ben Marrinan explains how they developed Phantom Abyss for a generation who treats games as a digital living…
WA's CinefestOz announces full program, Nadia Tass heads Jury
The full 2021 program for CinefestOZ has just been announced, with 17 world premieres and four Australian premieres.
6 questions with ACMI prize-winning game developer Dan Ferguson
We talk to Melbourne game developer Daniel Ferguson about his cartoonish, kinetic games, winning the ACMI + RMIT prize, and…
Game Review: The Great Ace Attorney Chronicles delivers thrilling legal drama
The Great Ace Attorney Chronicles is the most narratively and thematically consistent entry to date for the legal drama series.
Game Review: Death’s Door elevates a common genre mashup with artistic flair
Enchanting art direction and engaging themes make Death's Door more than just the straightforward, Zelda-inspired game it appears to be.
Australia's richest sci-fi screenwriting prize is open for entries
The John Hinde Award for Excellence in Science Fiction Writing offers $10,000 for the best produced script and professional support…
AACTA finalists prove an extraordinary year for documentary
The 2021 list of feature documentaries in the final nominee list for the Australian Academy of Cinema and Television Arts…
'Two Hands' TV series among Screen Australia's 28 recipients of Story Development Funding
Gregor Jordan's crime comedy goes to series, a live action family film from Ludo, and a gay romance anthology are…
Australian game devs accepted into prestigious IGDA Foundation program
The latest cohort in the International Game Developers’ Association (IGDA) Foundation's Diverse Game Developers' Virtual Exchange has been announced.