Film
Lockdown well and truly takes hold of the Australian Box Office
The virus has now really whacked the cinemas again. Jungle Cruise is box office victim number one.
Review: Game Builder Garage helps you fail at game development, and that's great
Nintendo's latest game creation tool is defined both by the Switch's limitations and the impressive breadth of creative expression it…
Sydney Film Festival announces new 2021 dates in light of ongoing lockdown
Sydney Film Festival has pushed its 2021 event to the far end of the year in response to ongoing COVID…
Foxtel launches Fox Docos, a new documentary service
Launching 1 September, Fox Docos will 'unfold the story and enhance audience understanding of our fascinating, ever-changing world,’ says Foxtel's…
Melbourne International Film Festival (MIFF) rejigged for restrictions - Here's what you need to know
Melbourne International Film Festival (MIFF) has pushed its screenings back to 12 August, with extended online options and fresh additions…
Producer Todd Fellman and his accidental international career
Producer Todd Fellman makes footloose productions work, tried hard with China and is now making The Portable Door in Queensland,…
Why Cate Shortland was the perfect choice for Marvel's Black Widow
Cate Shortland is not your standard gun-for-hire director, but she was the perfect choice for Black Widow, says Daryl Sparkes.
News in Brief - 'Two Hands' TV series in the works and Natalie Portman feature to film in Sydney
This week, Natalie Portman comes to Sydney at a tricky time, Cinefest Oz unveils finalists and full program, and we…
No Longer Home offers a gentle, personal story about adulthood
No Longer Home deals with a familiar form of melancholy with a delicate touch, but sometimes, it borders on insubstantial.
Netflix films look more like TV shows - here’s the technical reason why
Ari Mattes explores the visual differences between film recorded by high resolution sensors and film shot on celluloid.