Film
Film Review: Cyrano still shines brightly
Game of Thrones star Peter Dinklage offers a new take on the lovelorn hero of this enduring tragicomic romance.
Box Office: Cyrano figures low but fate could be kind
While the box office is unkind to Cyrano, the Actors Guild honours its deaf community in Coda.
Disability project charts ableism in Australia's screen industry
Producer Ade Djajamihardja is determined to 'eliminate the soft bigotry of low expectations' for screen professionals with disabilities.
The Batman review: a return on a staggering scale
In this epic rendering, Robert Pattinson understands that both Bruce Wayne and the Dark Knight wear masks.
Mate: five questions for director George-Alex Nagle
Following the recent Grand Prix win at Clermont-Ferrand, we talk to the Australian filmmaker about his short film and what…
New CEO for Docklands Studios Melbourne
Stepping into the top job after several years in Malaysia, Antony Tulloch is 'delighted' to be returning to Melbourne.
Film Victoria on games funding and the future
The new Film Victoria games and digital content team share their thoughts about funding, and speak to the future of…
Box office: Branagh vs Branagh with Belfast and Death on the Nile
Cinemas pitch tentpole Branagh against a far more tender and personal offering by the director.
Film Review: Blacklight and street fights in Melbourne
Liam Neeson's latest was largely filmed in Melbourne in late 2020 when Australia’s mostly Covid-free status was a big draw.
David Tiley wins the Stanley Hawes Award
Tiley's win was announced alongside 21 nominees for the Australian International Documentary Conference Awards 2022.