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ACMI Director & CEO Katrina Sedgwick OAM. image supplied.
News

ACMI's Katrina Sedgwick steps down to lead Melbourne Arts Precinct

The outgoing ACMI CEO and Director will take up a new role with the Melbourne Arts Precinct Corporation next month.

liminal vr
Features

Virtual reality to improve wellbeing via Liminal VR

Melbourne-based studio Liminal VR is working to use virtual, augmented and mixed reality to create meaningful experiences.

News

Russian boycotts in the screen industry

Film festivals and streaming platforms are banning Russian content in response to the invasion of Ukraine – but will this…

Alana Haim and Cooper Hoffman in Paul Thomas Anderson's Licorice Pizza
Features

Paul Thomas Anderson's films – an introduction

From Boogie Nights to Licorice Pizza, writer director Paul Thomas Anderson has developed a strong line of comedies in serious…

News

Unheard Stories champion Deaf and Hard of Hearing lives

The Unheard Stories film festival aims to challenge misconceptions about people who are Deaf or Hard of Hearing.

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Film Review: The Greenhouse is cracking

This queer magical-realist drama is stylish and atmospheric, so why does it fail to impress?

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Melbourne Short Film Festival streams ahead

The festival, which includes entries from Australia and the world, will be streaming shorts online until 6 March.

Peter Dinklage exudes kilowatt charisma in this adaptation of the hit off-Broadway musical. Image: Universal Pictures.
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Film Review: Cyrano still shines brightly

Game of Thrones star Peter Dinklage offers a new take on the lovelorn hero of this enduring tragicomic romance.

Coda family groaup photo
News

Box Office: Cyrano figures low but fate could be kind

While the box office is unkind to Cyrano, the Actors Guild honours its deaf community in Coda.

'People aren’t used to seeing Disabled people who are empowered,’ says Ade Djajamihardja. Image: Zahrah Habibullah
News

Disability project charts ableism in Australia's screen industry

Producer Ade Djajamihardja is determined to 'eliminate the soft bigotry of low expectations' for screen professionals with disabilities.

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