Film
The Reef: Stalked is 'certainly a different take on the genre'
Traucki's The Reef: Stalked has a second act stretch that is remarkably effective with scares that both surprise and shock…
Ticketyboo: Renee Brack on her Alzheimer's film about her dad
'I was fetal on the couch with the remote in my hand, treating it like a magic wand' said Brack,…
MIFF and me: waiting for the 2022 fest is agony and ecstasy
MIFF's 70th anniversary marks its first time back in cinemas in three long years, which is both exciting and a…
A year ago the top ten films made $2.26m over the weekend ... and now?
On the last weekend before the July holidays, the total was $22.5m, which then rose to $30m, and then sank…
The Reef: Stalked – Andrew Traucki on why his shark flick tackles domestic violence
The Reef: Stalked is a 'sequel in name only' to Traucki's 2010 shark-attack horror film. This time, the shark acts…
Black Panther, She-Hulk & Captain America lead new Marvel slate
Marvel stakes its claim to the next three years of your attention span with this show-stopping slate of new projects…
National Theatre Live: Prima Facie is stunning on screen and stage
Jodie Comer's performance in this filmed production of the London West End play is exceptional in every way.
Australians are animated by animation with a 'local' anima
Australian audiences are good at finding an underlying national identity in blockbuster films, however tenuous.
Where the Crawdads Sing is resoundingly bland
The whole film seems to be in an unseemly haste to zip through the novel’s stilted conversations and increasingly silly…
The Love Witch and feminism: Q&A with director Anna Biller
'When I was growing up, I didn't see contemporary movies that were about the female figures I emulated.' Enter The…